Wednesday, December 28, 2011

Presepi—Christmas Nativity Scenes


Saint Francis of Assisi is generally credited with producing the first re-enactment of the nativity of Jesus, using a cast of live animals and people in 1223.  Since then, and especially from the 15th century onwards, churches, communities and individuals in what is now Italy have raised the art of the presepe or presepio (often translated as Christmas crib) to amazing realms of display and creativity.
(You can enlarge a picture by clicking on it.)

Some presepi are still made life-size, like this one in Piazza San Pietro at the Vatican which is kept hidden behind draperies until Christmas Eve.  The figure of the baby Jesus is added at the conclusion of the midnight mass. 

Life-size presepio in Piazza San Pietro.

There’s another smaller but in some ways more elaborate presepe inside St. Peters.  With the inclusion of scenes from everyday life there is a hint of the elaboration to the original nativity theme which now characterizes many Italian presepi. 

The rustic presepio inside St. Peters.

In Napoli the week before Christmas we visited an impressive assembly of presepi in the old style displayed in the church of Santa Maria Maggiore, as well as the museum of presepi in the enormous Certosa di San Martino.  And every major church and even the Bank of Naples had fascinating presepi of their own.  

From the Banco di Napoli, a display in 18th century style with 210 figures ranging from a glory of angels to a simple baker.  Some details appear below.



In Naples beginning in the 15th century the typical presepio included 1) the Nativity, 2) the Announcement by angels to the stunned peasantry, 3) the Inn or Tavern.  The Magi were usually included in the Nativity section but also became a big feature with a cavalcade of oriental figures and animals.  Over time the Tavern section grew larger and eventually expanded to include characters, animals and objects from every walk of life.  The holy family sometimes was nearly lost in the crowds. Originally made of wood or a wire frame dressed in cloth, the standard material is now painted and clothed terracotta, with colored wax often used for fruits and veg.

Half life-size figures from the 17th century.
Half-size figures, including the shepherd's zampogna at front right.
Micro-miniature presepio built in an eggshell.
Perhaps the largest genuine 18th c. presepio, in the Certosa di San Martino in Naples.
Built into the old monastery kitchen, it's about 15' wide.  Figures are 6"-8" high.

Closer views of the three kings and their retinue.

The 18th century style of presepio building is enjoying great popularity, rendering entrancing views of a pre-industrial world.  It appeals to craftsmen who strive to produce beautifully accurate figures and scenes and to viewers who are rightly awed by the detailed work and amused by snippets of life.  Often classical ruins are included, spurred by the discovery of the buried ruins of Pompeii in 1749, as a symbolic move from paganism to Christianity.  Fountains, springs, and rivers are included as signs of life.  Musical instruments are always included, often the zampogna, which is a form of bagpipe.  

Dozens of full and partial presepi in the old style were on display in Naples
at the church of Santa Maria Maggiore.
Fruit and vegetables made from colored wax.
This one from the Amalfi coast features the fishing trade.
The holy nativity is nearly lost.  It's up on the porch, under the red angel, near the stern of the boat.
An incredibly detailed musical instrument maker's shop,
complete with wood shavings, tools and stringed instruments each about  2" or 3" high.

Not everyone confines their modeling to rustic old times.  These days if you visit Via San Gregorio Armeno in Naples, the street where everything relating to presepi can be bought, you will see figures from government, entertainment, and sports alongside tiny automobile models, TVs and even Steve Jobs holding a Mac.  I have to ask myself how many people set up a home nativity scene populated by star soccer players, Marcello Mastroianni or Barack Obama, but it’s fun to see the imaginative representations of them in the shops.


Via San Gregorio Armeno in Naples,  presepe central,
and below, some of the things available there.

The goose-egg seller. 
Fish, eels, fruit, salami, mushrooms.


Above are figures from the news.  You can pick out Steve Jobs at the left, but you might not recognize the new Italian prime minister, Mario Monti (available in two sizes, with his hands in his pockets).  The ex-prime minister, Silvio Berlusconi, is at front left with two of his playmates, or in the stiff and formal style behind the blonde in red, and at right with vampire teeth and cape.  "Mi dimetto" means "I quit."  The other big notice says that due to the fall of the government, Berlusconi is offered at 50%.

Below are Italian sports heros and heroines for your home nativity scene. (Well, yes, also Monti again and the pope.)  The realism is impressive, right down to the tattoos and sponsor logos.



Not everyone goes in for realism.  To close out, here’s a presepio made by school kids in Rome using only commercial dried pasta shapes sprayed gold.  The ground is covered by tiny stars called stelline, the wooly sheep are made from a shape called radiatore (they look like the corrugated cooling fins in a radiator core), the shepherds’ hats from orecchiette (little ears), and one shepherd is sitting on a piece of rigatone.  I counted over 20 different shapes.



I should add that the presepi stay on display at least until January 6th, which is L'epifania, or Epiphany.  That of course is when the three kings traditionally find the baby Jesus and give him gifts.  In Italy it also marks the arrival of La Befana, an old woman who flies around the country on a broom dropping presents down chimneys to good children and carbone—coal—to misbehavers.  These are in addition to what Babbo Natale—father Christmas—has already delivered on Christmas Eve.  Not a bad deal, if you’ve been good.

Roberto

Saturday, December 17, 2011

Christmas Lights — Luci di Natale


The city of Rome reportedly spent €800,000 on Christmas decorations this year; plus another ten thousand to install a real tree when the mayor ordered the removal of a big, modern aluminum albero di natale (Christmas tree) in the center of Piazza Venezia just hours after it had gone up.

In the middle of Piazza Venezia, with the mayor's new tree.

Here are some pictures of Christmas lights from around the city, some on private stores and hotels, some on streets where there was clearly a corporate sponsor, and some of the city of Rome’s  serious installations.  There’s no separation of church and state issue in Italy, so religious and commercial themes are well mixed.

Lights mix with vines hanging above Trastevere's Via Lungaretta.
Trastevere shop window.

Piazza Repubblica 

Below, the Bernini fountain and hotel in Piazza Barberini


Views on the Via Veneto.  


The gelato is waiting, but so is the prosecco at this Via Veneto shop. 

On the high-style Via Condotti, the decorations come with a sponsor.
  

A few streets over, another car company sponsor.


Below are shots in various locales around the center of Rome's shopping area.





Hot roasted chestnuts (castagne) are sold on many corners.





The Fendi building with a golden belt.

One of the city's set pieces.  

The best lights are the ribbons that are both seasonal and patriotic
and which run the full length of the Via del Corso.


Angels line the ramp up to the Campidoglio.



Tanti auguri.

Roberto

Friday, December 9, 2011

Panettone




One of the ways that we knew Christmas was coming this year was the appearance of panettone and pandoro boxes in every food store in Rome.  Both are traditional sweet Christmas breads, and while they started as regional specialties (panettone from Milan and pandoro from Verona), they are now popular throughout Italy and indeed throughout the world.  (In case you were wondering, panettone is pronounced pan-eh-TOE-nay.)

Panettone by the pallet-load in Italian markets.

Both are made from a yeast dough rich with butter, sugar and eggs; long, slow rises contribute to their flavor and lightness.  The classic panettone is round with a high dome and is studded with candied citrus and raisins, though nowadays you can also buy them with chocolate bits, flavored with Grand Marnier or some other liqueur, or in some other way gussied up. The classic pandoro is a light vanilla cake-like bread baked in a tall star-shaped mold and then dusted with vanilla sugar for serving.

Though not traditional, pandoro and panettone can come with chocolate,
with creamy or jammy fillings, and sometimes complete with a bottle of bubbly.

There are multiple stories about how panettone got its name.  The least romantic is that it comes from panetto, which means small bread, plus the suffix -one which means large. Hence, panettone, large bread.  Some sources say the name came from the Milanese pan di tono, which means luxury bread, and with its rich dough and costly ingredients, it would definitely qualify.  

Luxurious presentations.

Some more fanciful stories: 
The shape of the bread resembled the hat worn by a friar name Antonio, who was very fond of the sweet treat. "Pane Antonio" became panettone.



A falconer, Ughetto, wanted to win the heart of Adalgisa, the daughter of a poor baker named Toni. He began helping Adalgisa in the bakery and came up with the idea of enriching the bakery's bread with butter, sugar, eggs and fruit.  The bread that they developed was very popular and became known as "pan di Toni" or Toni's bread.



Ludovico
In 15th c. Milan, Duke Ludovico was giving a fancy Christmas party.  When the cook accidentally burned the dessert, a young scullery boy named Toni saved the day when he offered the bread that he had made from the leftovers of the cook's dessert.  The guests loved the bread, which became known as "pan di Toni" or Toni's bread.

Less imaginatively, the name pandoro ("pan d'oro" or "bread of gold") comes from its buttery golden hue.

We have always loved panettone, so it didn't take much to convince us to buy one here in Rome.  The hardest part was choosing which one.  There are dozens of different brands, with prices ranging from under 5 to over 20 euros, and they all look appealing.  Our first panettone here was from Sapori di Siena, and it was delicious. 

Unfortunately it was so good that it was eaten
before we got a picture!

Here's another brand, this time slightly wider and shorter than most. 


The Sapori pandoro was also excellent, but stood still long enough for pictures.   Most pandoro comes complete with a packet of powdered sugar (zucchero a velo) for dusting.


Of course, in the interests of research we feel we should try several others while we have the opportunity.  We're not sure how many we can squeeze into one Christmas season, but we'll give it our best shot.

Pastry shops, bakeries and specialty stores offer plenty of bellisime choices of Christmas bread.

For those of you who like a challenge, it is possible to bake panettone and pandoro at home.  In fact, we did just that a few years ago using a panettone recipe from Jim Lahey, the owner of Sullivan St. Bakery in New York City. We produced a pretty authentic loaf, but the dough was fussy and it took two days, and since in California we have excellent fresh panettone year round from La Biscotteria in Redwood City, we decided it wasn't worth the trouble.  Epicurious has a simpler but well-reviewed recipe for panettone that might be worth a try.  The Italian food blog Mangia Bene Pasta has an informative article about pandoro, complete with a recipe, but we haven't tried making it.  You can find panettone baking papers at good cookware stores, like Sur La Table, or online at King Arthur Flour. 

Buon Natale, è mangia bene! 

Cinzia